Michaele Cozzi’s photography studio in Superior is a study in black and white. The cinder-block walls are painted white; the concrete floor is dark and glossy. Attached to the walls, floor-to-ceiling panels of concrete reinforcement mesh serve as a vertical work space. Clipped to the wires with clothespins and black metal clamps are black-and-white photographs – hundreds of them. Some are small enough to hold in your hand, and some are large, as wide as a door.